Tarantula Hawk
A New Mexico road crew digs up something that was sleeping under the highway. The original creature feature, rebuilt in glorious WideScreen.

The Good, the Bad and the Ugly
Stream outlaw cinema. Own a piece of the next cult classic — from $25.
The Good, the Bad and the Ugly is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as 'the Good', Lee Van Cleef as 'the Bad', and Eli Wallach as 'the Ugly'.
Tonight's reel from the booth — what we'd queue up first if you only stayed for one feature.
Three gunslingers, one buried Confederate gold, and a cemetery standoff that redefined what cinema could be. Sergio Leone's widescreen opera of sweat, dust, and Morricone's electric guitar turned the western into mythology. Clint Eastwood's Man with No Name isn't a hero — he's a cipher in a poncho, riding through a landscape too brutal for morality. The most iconic western ever made.
Festival and awards names are independent third-party properties. Planet Outlaw is not affiliated with or endorsed by any of those listed.
Planet Outlaw is part streaming service, part marketplace — restoring classic outlaw cinema and bankrolling the next wave of B-movies, creature features, sci-fi, and westerns alongside the fans who love them.
Wander the five lanes — Trending Now, Sci-Fi, B Movie Bonanza, Creature Features, and Westerns. Watch the trailer, read the program notes, see exactly what each restoration or new production needs.
Back a single picture or spread your ticket across the whole double-bill slate. Minimums start at $25 — you choose how big a piece of the screen you own.
An SEC-compliant funding portal handles the offering, escrow, and reporting. All-or-nothing: funds only release when a picture hits its goal before the credits roll.
Films stream on Planet Outlaw and across licensing partners. Backers get revenue share, snack-bar perks, on-screen credits, and quarterly statements from the booth.
"Every studio told me that Westerns are dead. Planet Outlaw was the only place that said, 'make it dirtier'."
Original Planet Outlaw productions and restorations in development and post. Backers get first look, on-screen credits, and revenue share from every showing.
A New Mexico road crew digs up something that was sleeping under the highway. The original creature feature, rebuilt in glorious WideScreen.
1957. A diner waitress in the Nevada desert is the only one who saw the lights. A neon-soaked sci-fi shot on 35mm Ektachrome.
A widow, a stolen strongbox, and a stagecoach that won't make it through the canyon. A grimy, talky, Leone-pitched western for the outlaw.
Practical effects unit shot the canyon attack tonight — a 14-foot puppet rig, four operators, no CGI. Dust, hydraulic oil, and one very startled wrangler. The dailies look like 1957 in the best possible way.
Final cut delivered to scoring. We've handed it to a four-piece theremin-and-Hammond ensemble for the score — the whole second act is going to sound like 1957 staring up at the night sky.
Sound team rebuilt the original optical track from a single surviving studio reel. Bacharach's theme has never sounded this clean coming out of a speaker pole.
Locked the 102-minute cut for the Saturn Awards screener. Submitting next month to Fantastic Fest, Sitges, and a midnight slot at the Outlaw Academy Awards.
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Planet Outlaw opens Spring 2027. Join the waitlist for early access, founding-carload pricing, and first look at every restoration and new feature on the slate.